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Archives for Jan Ozer
Jan Ozer is a leading expert on H.264, H.265, VP9, and AV1 encoding for live and on-demand production. Jan develops training courses for streaming media professionals, provides testing services to encoder developers, and helps video producers perfect their encoding ladders and deploy new codecs. He’s a contributing editor to Streaming Media Magazine and blogs at www.streaminglearningcenter.com.
This article provides a quick overview of the HEVC codec: what it is, how it performs, what it costs, and what it’s good for. We’ll conclude with a section on what you need to…
Read MoreVP9 Codec: Google’s Open-Source Technology Explained
This article provides a quick overview of the VP9 codec: what it is, how it performs, what it costs, and what it’s good for. We’ll conclude with a section on what you need to…
Read MoreH.264 Codec: Advanced Video Coding (AVC) Explained
This article provides a quick overview of the H.264 codec: what it is, how it performs, what it costs, and what it’s good for. We’ll conclude with a section on what you need to…
Read MoreThe Streaming Codec Landscape in 2021
By any measure, 2020 was a hectic year for video codecs or the compression technologies that drive streaming video. This year saw the launch of two standards-based codecs (with another due soon) from the…
Read MoreMany producers are seeking a low-latency technology for their streaming applications. In general, there are two primary technologies to choose from, HTTP Low Latency and WebRTC. This article will discuss considerations for choosing the right…
Read MoreHow to Choose the Right Encoder for Facebook Live
What's the best Facebook Live encoder? We'll look at the strengths and weaknesses of common encoding solutions for Facebook Live streaming.
Read MoreAI in Video Production and Delivery
In this post, we’ll explore AI, machine learning and deep learning; discuss their primary applications to video encoding and streaming delivery; and look at their other applications in video production.
Read MoreThe Codec Market in 2018
In this article, I’ll review what happened last year in the codec world, talk about what to expect this year and conclude with a brief discussion about how this might affect different types of publishers.
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